A Slight Glitch and Shakey

Morning, readers. Today I’ve changed my site format and that’s done something odd with my photos in previous posts. Hope to sort this double vision soon. Advice gratefully received.

But don’t want to let that glitch interrupt my morning reading and writing.

I am still thinking about Thursday’s meeting with Sonya Hale, and about Daniel Magariel’s novel, One of The Boys, (see yesterday’s post) and about the deep resonances and ancient feelings that meeting and that novel provoked into life. For that reason, this poem by William Shakespeare caught my attention this morning. I must have read it before but I really don’t remember it. Why not? Today it is full of meanings. If you are new to Shakespeare read it aloud. Read it aloud anyway.

Sonnet 110
Alas, ’tis true I have gone here and there
And made myself a motley to the view,
Gored mine own thoughts, sold cheap what is most dear,
Made old offences of affections new.
Most true it is that I have look’d on truth
Askance and strangely: but, by all above,
These blenches gave my heart another youth,
And worse essays prov’d thee my best of love.
Now all is done, have what shall have no end!
Mine appetite, I never more will grind
On newer proof, to try an older friend,
A god in love, to whom I am confin’d.
Then give me welcome, next my heaven the best,
Even to thy pure and most most loving breast.
I felt a delight in the opening line. There is nothing like recognition for provoking pleasure, even when it is recognition of having made a fool of yourself.
As I read on  the poem seems to be about having been unfaithful yet it didn’t feel to me only about sexual fidelity.
The shame of the opening is about having been disloyal to yourself. And ‘Here and there’ made me think of things Sonya said about the moving about from town to town when she was street homeless.  There is real, sad recognition (as much as guilt) in  ‘made myself a motley to the view’. (‘Motley’ is the name given to clothing worn by fools). It’s not only the humiliation of that idiocy but the shame of having done it to myself.
By the time I got to line 3, ‘Gored mine own thoughts, sold cheap what is most dear’, I was thinking about old mistakes and infidelities, not to my beloved, but to my better self. The violence of ‘gored’ gave me pause to reflect on the self-injury of bad thinking.
Alas, ’tis true I have gone here and there
And made myself a motley to the view,
Gored mine own thoughts, sold cheap what is most dear,
Made old offences of affections new.
Now I read the next four lines together, another  little lump of thought:
Most true it is that I have look’d on truth
Askance and strangely: but, by all above,
These blenches gave my heart another youth,
And worse essays prov’d thee my best of love.
Is Shakespeare is responding to something another person has said – in a row, perhaps?  ‘You’ve looked on truth askance and strangely!!’ Thus he begins ‘Most true it is…’ but going off after others, or dishonesties, or cheating  or whatever he means by ‘these blenches‘ , it  ‘gave my heart another youth/and worse essays prov’d thee my best of love.’ Thus, out of bad something good may come? I realised you were the one for me!
The ‘askance and strangely’ is resonant of the ways in which, when you are not able to be true, all things are twisted. In Magariel’s novel, the father’s love for his sons is a twisted ‘askance’ version of something which is more like ownership. Will he one day go into recovery and see what he has done to his sons?
Now all is done, have what shall have no end!
Mine appetite, I never more will grind
On newer proof, to try an older friend,
A god in love, to whom I am confin’d.
Shakespeare’s saying he’s never going to go off with someone else, never again! I’m back, forever. Would you believe him? Well, no, I wouldn’t, much as I often don’t believe myself when I promise myself I’m going to keep my room tidy.  What? After all these decades of chaos? You’re really going to change?
No, this is the return of a philanderer. Don’t give him welcome. As my friend Shelley once memorably said, ‘Chuck him, love, he’s a loser.’
But say I overrode these thoughts and feelings about the top-level  experience of the poem, the  unfaithful lover, and  went to something under the  lines, something about not being true, not necessarily about love or sexual relationship.
There are many ways in which a person can be unfaithful. Because of my conversation with Sonya, because of Magariel’s book  I’ve been thinking about the way in which one is required to practice faithfulness to a true ideal (I want to be a decent person, I want to be responsible and honest). How many times in that long effort have I ‘gone here and there/ And made myself a motley to the view’?  if you a re not going to get stuck at that point, you absolutely need to believe there is a place to which to return.
Thinking of Daniel Magariel’s book; the addicted parent may try to clean up, to get sober, to become  good parent (in another book!). The boys may grow up and want to learn to be decent men, not easy after growing up with a Dad like that. But these desires for change can and do happen even after we have ‘sold cheap what is most dear/made old offences of affections new.’
Believing in hope and change, you’d have to find a way to say ‘welcome back’ to the sinner that repenteth, wouldn’t you? When that sinner is yourself, when the offences are against your self, the only place you have to come back to is your self. I see the poem is ‘about’  a lover returning after shenanigans with others, and I read that at one level, as if it were a story I can lend myself to. But to understand it, and to feel it, I have to make the underlying connection with my own experience. So  I read as myself, returning to myself, after messing up again.  It would be good to be welcoming, pure, loving.
Then give me welcome, next my heaven the best,
Even to thy pure and most most loving breast.
And that makes me think of Derek Walcott’s poem, Love After Love.
Excuse me, I need to tidy my room.

Just finished: One of The Boys, by Daniel Magariel

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Yesterday a day full of  addiction and hope.

I visited the wise Karen Biggs, CEO of Phoenix Futures, one of  the UK’s leading addiction/housing charities. We’ve done some great work with Phoenix over the years, and it’s always a joy to spend time with the energetic heart and brain that is Karen.

Later in the day I spent time talking to playwright Sonya Hale, a truly remarkable woman. Sonya became an addict in her early twenties, and was street homeless for a decade. Much later she changed her life, partly through meeting the charity Clean Break.  She won the Synergy Theatre’s national prison writing competition with her play, Glory Whispers. She spoke to me of  the pain of losing her son, when her addiction became unmanageable, and he went to live with his Dad, and how that finally helped her confront her addiction and get into recovery. The interview will be published in The Reader magazine at a later date.

It was a long chat with Sonya. We’ve a lot of common and I’m always interested in learning how people live and why they sometimes learn to change.  I feel as if something new has entered my bloodstream and I’ll be processing the  conversation for weeks ahead.

On the  train on the way  down to London I finished (a two-sitting book) Daniel Magariel’s One of The Boys. I think I found this through a recommendation on twitter by the exceptionally emotionally intelligent writer, @carysbray. It also came with a blurb from my top-rated author, George Saunders. Those are two very remarkable writers, so I ordered my copy. I thought Karen or others at Phoenix might be interested in it so I when I arrived at her office in Elephant and Castle, I gave my copy to Karen Biggs.

green wall
The wonderful green wall at Elephant and Castle

It’s slight in terms of pages, a novella, but it is enormous in its content and concentrated experience, not unlike my two-hour conversation with Sonya. I felt I had been reading for a week, not two one-hour sessions. Reading with eyes glued to the page, full-pelt, non-stop. Told through the eyes of a child, the younger of two in a family where the father is a drug-user and is a manipulative, violent man, it’s a slice of real time, an immersion in an experience you might not want to know about. It’s not an easy read but its a real good one, with exceptionally careful writing about emotions.

The story is almost all about ‘the boys’, the father and his two sons; we don’t see the mother much and we don’t know her story,  but the scene where she dances ‘salt and pepper shaker’ had a grim and utterly real  graveyard humour. Apart from that, I did not laugh. I found the book frightening and true to life. Like Frank Alpine in Malamud’s The Assistant, when he is reading Crime and Punishment, I had the crazy feeling I was reading about myself.

When you have parents who do not parent you, you live a cycle of  caring for them when they need looking after, craving their attention when they don’t and then suffering when they don’t look after themselves, or when they turn on you. All that is carefully detailed here, in under 170 pages.

Every care worker, every social worker or children’s home assistant, every teacher, should read this book.

Scrub that, it’s a big problem with wide  ramifications. Everyone should read it.

Neither of  my parents were straightforwardly ‘like’ the parents in this book but there are certain underlying resemblances, the bone structure of addiction remaining the same whatever the flesh looks like. An addict is not a grown up, is not responsible, is broken, is ill. As the child you carry a lot of weight for them. You think their thoughts, feel their feelings. As a result you never really know where your own emotions begin and your parents’ end. That’s what most struck the chimes here.

After a particularly bad night, where the father and younger son (‘we’ in the quotation  below) have attacked and threatened to kill the older son, the younger struggles with guilt, anger and loneliness:

That night after we had cleaned up and dragged the coffee table to the Dumpster, my father called him into his room. I listened outside the door as he told my brother that he should never have contacted our mom. That we’d felt betrayed and did not know what else to do. “I would never hurt you,” my father said. “We only meant to scare you. Please forgive me. Do you forgive me?” Then he said, “Thank you, I forgive you, too. Can I have a hug?” The bed squeaked as my father scooted closer, I guessed, because a moment later he said, “Put your arms around me, son.”

I stepped outside to the park.

Overhead the moon was hidden. Clouds were backlit at their feathery edges. A strong wind from the east, from the Sandias, swept over the grass. I winced at the thought of today. My father turned us against each other – it was his method of control. And I’d fallen for it again. Any remorse I had for the Polaroids now felt false. I had let down my brother just as I had my mom. I was so disappointed in myself and I swore then that I would never again choose my father. I never again wanted to harm anyone I loved. I was on my brother’s side now. He was my brother for life. I’d been lucky today that he had not been not more seriously hurt.
A flock of birds came to rest on a nearby pinon tree, populating its limbs like leaves. and though I could hardly see them, hear them, I was happy for their quiet company and hoped they would not leave me soon.

Frightening, touching and educative – highly recommended.